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โคท You are here:   ๐Ÿ“š๏ธŽ Compiled Prayer Books (Siddurim, Haggadot, &c.)   โ€”โŸถ   Liturgical Prayerbooks   โ€”โŸถ   Siddurim   โ€”โŸถ   Shabbat Siddurim   โ€”โŸถ   ๐Ÿ“– ืกื“ื•ืจ ื”ืขื‘ื•ื“ื” ืฉื‘ืœื‘ | Siddur haโ€™Avodah sheโ€™Balev, for Shabbat and Yom Tov (Kehillat Kol Haneshama Jerusalem, 2007)

๐Ÿ“– ืกื“ื•ืจ ื”ืขื‘ื•ื“ื” ืฉื‘ืœื‘ | Siddur haโ€™Avodah sheโ€™Balev, for Shabbat and Yom Tov (Kehillat Kol Haneshama Jerusalem, 2007)

 

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HebrewEnglish
ื”ืชืคื™ืœื” ื‘ืงื”ื™ืœืช ื›ืœ ื”ื ืฉืžื”
 
ืชืคื™ืœื” ื”ื™ื ืœื ืœืฆื•ืจืš ื‘ื™ื“ื•ืจ. ืชืคื™ืœื” ื”ื™ื ืžืฉืžืขืช ื›ืžื• ืžื•ืกื™ืงื”, ืจื™ืฆื” ืื• ืžื“ื™ื˜ืืฆื™ื”. ืื ื‘ืืชื ืœืฆืคื•ืช โ€“ ืชืฉืชืขืžืžื•.
PRAYER AT KOL HANESHAMA
 
Prayer is not entertainment. Prayer is a discipline, like music, running or meditation. If you are here to observe, you will be bored.
ืื ื• ืžืฉื•ื•ื™ื ืืช ืชืคื™ืœืชื ื• ืœืœื”ืงืช ื’โ€™ืื–. ืœืคืขืžื™ื ื–ื” ื ืฉืžืข ืฉื›ืœ ืื—ื“ โ€œืžื ื’ืŸ ื ื™ื’ื•ืŸโ€ ืื™ืฉื™ ืฉื•ื ื” ื‘ืขื•ืฆืžื” ืื• ื‘ืงืฆื‘ ืžืฉืœื• (ื•ืื—ืจื™ื ืื™ื ื ืžืฉืžื™ืขื™ื ืงื•ืœ ื‘ื›ืœืœ), ื•ืœืคืขืžื™ื ื›ื•ืœื ืฉืจื™ื ื‘ื”ืจืžื•ื ื™ื” ื™ืคื”.
Praying is like playing jazz. The more you pray, the richer your prayer becomes. Musicians improvise on a set of musical themes; they can play together in harmony one moment and in the next, they each play at their own rhythm, at their own volume. Sometimes we all pray in harmony, other times we each pray at our own rhythm and our own volume.
ื”ืกื™ื“ื•ืจ ื”ื•ื ืžืกื’ืจืช; ื›ืžื• ื“ืฃ ืชื•ื•ื™ื ืฉืขื•ืžื“ ืœืคื ื™ ื”ืžื ื’ืŸ.
ืื ืืชื ื‘ื•ื—ืจื™ื ืœื”ืฉืชืžืฉ ื‘ืžื™ืœื™ื ืืœื• ื“ืขื•, ื›ื™ ืื ื”ื ื›ื ืงื•ืจืื™ื ืืช ื”ืชืคื™ืœื•ืช ืื™ื ื›ื ืžืชืคืœืœื™ื. ื™ืฉ ืœื”ื’ื™ืข ืœื™ื—ืกื™ ื’ื•ืžืœื™ืŸ ื‘ื™ืŸ ื”ืžืชืคืœืœ ืœืชืคื™ืœื” ื•ื‘ื™ืŸ ื”ืžืชืคืœืœ ืœืžืชืคืœืœื™ื ื”ืื—ืจื™ื.
The siddur is a framework, like the page of notes for the jazz player. If you choose to use these words, know that you are not praying if you only read the prayers. One should try to reach a proper balance between the pray-er and the prayer, and between the pray-er and other pray-ers.
ื“ืขื•, ื›ื™ ืœืคื™ ื”ืžืกื•ืจืช, ื”ืชืคื™ืœื” ื›ื•ืœืœืช ื’ื ื ื™ื’ื•ื ื™ื ื•ื’ื ืฉืชื™ืงื”. ื ื ืœื”ืจืคื•ืช ืžื›ืœ ืžืชื—. ื›ื•ืœื ื• ื‘ืื™ื ื‘ืจื’ืฉื•ืช ืžืขื•ืจื‘ื™ื ืœื‘ื™ืช ื”ื›ื ืกืช. ืื ื—ื ื• ืžื•ื“ืขื™ื ืœืชื—ื•ืฉื•ืชื™ื ื• ื‘ืขืช ื”ืชืคื™ืœื”, ืœื ื‘ื•ืจื—ื™ื ืžื”ืŸ. ืื ื• ื ื•ืชื ื™ื ืœืจื’ืฉื•ืช ืœื”ืฉืคื™ืข ืขืœ ื”ืชืคื™ืœื” ื•ืœืชืคื™ืœื” ืœื”ืฉืคื™ืข ืขืœ ื”ืจื’ืฉื•ืช.
Know that according to tradition, praying includes both music and silence. Try to relax from all tension. We all come to synagogue with mixed feelings. We are aware of these feelings in prayer โ€“ we do not try to escape from them. We let our feelings influence our prayers and our prayers influence our feelings.
ืื ืืช/ื” ืœื ืžื›ื™ืจ/ื” ื”ื™ื˜ื‘ ืืช ื”ืกื™ื“ื•ืจ, ื“ื™ ืฉืชืžืฆื ืžื™ืœื™ื ืฉืชืจื’ื™ืฉ ืื™ืชืŸ ื‘ื ื•ื—. ื›ืžืขื˜ ืœื›ืœ ืžื™ืœื” ื‘ืกื™ื“ื•ืจ ื™ืฉ ืืกื•ืฆื™ืืฆื™ื•ืช ืžื”ืชื โ€ืš, ื”ืชืœืžื•ื“, ื”ืžื“ืจืฉ ืื• ื”ืงื‘ืœื” ื•ื”ืกืคืจื•ืช.
If you do not know the siddur well, start by trying to find words with which you feel comfortable. In almost every word in the Siddur we can find associations from the Torah, Talmud, Midrash, Kabbalah and modern literature. The more you are tuned into these connections, the richer the prayer can be.
ื ื ืœื–ื›ื•ืจ ืฉโ€ื”ืœื”ืงื”โ€ ื”ื–ืืช ื ืคื’ืฉืช ื‘ื›ืœ ืฉื‘ื•ืข, ื•ืื ื• ืžืชืจื’ืœื™ื ืืช ืชืคื™ืœืชื ื•. ื™ื›ื•ืœ ืœื”ื™ื•ืช ืฉื”ืžื™ืœื™ื ืื• ื”ื ื™ื’ื•ื ื™ื ืœื ืžื•ื›ืจื™ื ืœืš. ื›ืœ ืžืฉืžืขืช ืงืฉื” ื‘ื”ืชื—ืœื”, ืื‘ืœ ื”ื”ืจื’ืœ ืžืืคืฉืจ ืœืš ืœื”ืจื’ื™ืฉ ื—ื•ืคืฉื™ ื™ื•ืชืจ.
The band meets, at least, every week. It could well be that the words or melodies are not familiar to you. Remember, any discipline is difficult at the beginning and practice enables you to feel free.
ื”ืจื‘ ืœื•ื™ ื•ื™ืžืŸ-ืงืœืžืŸ
Rabbi Levi Weiman-Kelman
ืกึดื“ึผื•ึผืจ โ€œื”ึธืขึฒื‘ื•ึนื“ึธื” ืฉืึถื‘ึผึทืœึผึตื‘,โ€ ืžึทื”ึฒื“ื•ึผืจึธื” ืžึฐื—ึปื“ึผึถืฉึถืืช,
ืงึฐื”ึดื™ืœึทืช โ€œื›ึผึธืœ ื”ึทื ึผึฐืฉืึธืžึธื”โ€ โ€“ ื™ึฐืจื•ึผืฉืึธืœึทื™ึดื
A new edition of the Prayerbook โ€“ Siddur, โ€œHaAvodah SheBaLevโ€ โ€“ the Service of the Heart,
Kehilat Kol HaNeshama, Jerusalem, 2007.
ื•ื•ืขื“ืช ืขืจื™ื›ื”: ื”ึธืจึธื‘ ืœึตื•ึดื™ ื•ึทื™ื™ืžึธืŸึพืงึทืœึฐืžึธืŸ, ื”ืจื‘ ืžืขื™ืŸ ื˜ื•ืจื ืจ ื•ืฉืื•ืœ ื•ืจื“ื™.
Editorial Committee: Rabbi Levi Weiman-Kelman, Rabbi Maโ€™ayan Turner and Shaul Vardi.
ื ึนืกึทื— โ€œื”ึธืขึฒื‘ื•ึนื“ึธื” ืฉืึถื‘ึผึทืœึผึตื‘,โ€
ืขืคโ€ื™ ืกึดื“ึผื•ึผืจ ื”ึทืชึผึฐื ื•ึผืขึธื” ืœึฐื™ึทื”ึฒื“ื•ึผืช ืžึดืชึฐืงึทื“ึผึถืžึถืช ื‘ึผึฐื™ึดืฉื‚ึฐืจึธืึตืœ
ื™ื•โ€ืจ ื”ึทื•ึผึทืขึฒื“ึธื”: ื”ึธืจึทื‘ ื™ึฐื”ื•ึนืจึธื ืžึธื–ื•ึนืจ
This Siddur is based on โ€œHaAvodah SheBalevโ€,
the Prayerbook of the Israel Movement for Progressive Judaism.
Editorial Chair: Rabbi Yehoram Mazor
Original English edition by Kehilat Har-El, Jerusalem
Editors: Adina Ben-Chorin, Calman Rosen, and Vivian Singer

 


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